Twitter Effect’s Power Overstated when it Comes to Making and Breaking Movies
Written by Sarah Perez / August 28, 2009 7:49 AM
When summer movies like Sacha Baron Cohen’s “Bruno” and “Funny People,” the latest from comedic [...]
Twitter Effect’s Power Overstated when it Comes to Making and Breaking Movies
Written by Sarah Perez / August 28, 2009 7:49 AM
When summer movies like Sacha Baron Cohen’s “Bruno” and “Funny People,” the latest from comedic [...]
One hundred and forty minutes is an awful lot of foreplay for a 10-minute payoff. Yet that’s what Quentin Tarantino is requiring of audiences who commit to his latest film, Inglourious Basterds.
Set in Nazi-occupied France, Inglourious Basterds is Tarantino doing what he does: taking serious and bloody topics and approaching them with a quirky, irreverent eye. The “basterds,” besides being poor spellers, are a group of soldiers (many of them Jewish) with one mission and one mission only: killin’ Naatzis. Naughtzis? Gnat-zees? (It’s tough to phonetically spell Nazis the way Brad Pitt manages to drawl the phrase in the film.)